España · SINCE 1990

Welcome to the space of Yume no Otoko.

yumenootoko.com

01 About

YUME NO OTOKOESPAÑA

Exploring the art

An ongoing search through the creation of electronic music.

My relationship with sound began around the age of sixteen, through my first records and a growing curiosity to understand everything behind them. That curiosity initially led me into DJing and gradually deeper into electronic music culture.

Over time, my attention shifted entirely towards music production and software development. I am currently working on several parallel projects, with the production studio serving as one of their main creative centres.

Yume no Otoko was born from the need to share the work, processes and discoveries made throughout this journey. It is a space for experimentation, knowledge exchange and connection with other artists who understand creation as an ongoing exploration.

02 Studio

LIVE-FIRST

The instruments behind the sound

A hybrid studio built around a live-first workflow. Modular synthesis, hardware instruments and analogue processing are performed and mixed in real time, with the aim of capturing improvisation in its most immediate form and turning it into a recording.

The studio is built around a live-first workflow, where modular synthesis, hardware instruments and analogue processing are performed and mixed in real time. Rather than treating production as a purely linear process, the setup is designed to capture decisions as they happen: sequences, modulation, timbral movement, saturation and balance are shaped directly during the performance, preserving the tension and immediacy of improvisation.

At its centre are analogue voices such as the Cwejman modular system and Make Noise Gold Shared System, used for precise lines, evolving sequences and experimental textures. Polyphonic colour comes from the Dave Smith Instruments Prophet-6 and Waldorf Iridium, while two Re-Enigiser Orgon Enigiser replicas provide uncommon monophonic character. The final signal path runs through Thermionic Culture Vulture, Thermionic Fat Bustard MkII and Thermionic Super 15 processing before being recorded through the Universal Audio Apollo x16, keeping conversion, recording and tonal control integrated into the same hybrid workflow.